Wednesday Worktable - 22nd October 2014 : Seasonal Preparations

It's been six months since I joined in with WOYWW (What's on Your Workdesk Wednesday), over at JuliaDunnit's Blog - hadn't realised how long!  Each Wednesday, Julia invites fellow crafters and bloggers to show a photo or two of their worktables, and explain what they've been doing.

So, here is my - rather messy - work table today!  Cluttered with assorted book projects, in various stages of progress.  I'm busy making seasonal stock, for Halloween, Thanksgiving, Christmas and other celebrations that happen at this time of year. 

At the back, a number of sets of pages, for little notebooks, plus a 6" x 4" size Halloween-themed Notebook, ready for sewing later on.  

To the left, a Red, Woolfelt-covered Journal, with pages of handmade, petal-sprinkled paper.  The cover is decorated with buttons.  I made this some time ago, but I want to put some more work into it.  It was run up in a hurry, as a demonstration item for a bookbinding course; I want to add a nice lining to the cover and maybe do something extra with that cluster of buttons - I have a Plan! 

Then, in front of the red journal, is a set of pages and another woolfelt piece, in soft blue-grey. I intend to decorate the felt with fabric and leather, embroidery and beads, to make another of the embroidered journals, such as I made for Christmas time 2012.  

And in the middle - a journal, in lovely black leather, with purple mulberry paper endsheets and crisp, white "Three Candlesticks" text paper pages.  It has a sort-of uneven-style binding, with stitches of different sizes.  Not sure if I do, or don't, like it - yet - we shall see...  

The plan is to do "something" with the straight stitches on the spine, to make them look "different", so I'll finish the binding and see what kind of inspiration strikes (I do have a couple of ideas, if they work)! 

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So, that's my contribution to the WOYWW Story this week - thanks for reading.  Why not pop over to Julia's Stamping Ground and see what else is going on in the crafting world?

Engineering with Paper and String - An Experimental Binding

Well, they say there is "nothing new under the sun" and this is certainly true of the very old craft of book-binding.  However, many things are "new to me" and this week, I have been experimenting.  I wanted to show you the result of an interesting experiment, which James has dubbed "Engineering with Paper and String".  

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I have a number of "favourite" bookbinding books, including this great book by Esther K. Smith, of Purgatory Pie Press:

"How to Make Books, by Esther K. Smith"

Esther Smith explores a great variety of book styles and bindings in this book, giving good, illustrated instructions to create many of them yourself.   One of the forms she covers, is the "stab stitch binding" - sometimes known as a "Japanese Stab-Stitch", or "Oriental Binding".   Traditional Japanese, Korean and Chinese books were made from thin paper, which was sewn together with stitching that was made through the pile of pages and the covers, wrapping the thread over the left-hand edge and also the top and bottom of the book.

An Oriental-style Stab Stitch bookbinding (by LizzieMade Hand Bound Books - yours truly!)

You may notice that the cover of the book in the photos above has a hinge, to enable it to be folded back. The original stab-stitch books were made with soft papers, so the covers and pages were easily folded open; however the paper is still held firmly on the left-hand edge, so no stab-stitch book of this kind would ever open out flat. 

A stab-stitch book, showing the hinged cover and how the pages are held together by their edges, so the book will not open out flat.  

For the original books that were made in this way, the style of binding was not a problem, because of the materials used and the way in which the book was used also. Most were soft cover books and ledgers, with the book often being written in a vertical / portrait plane, rather than our own traditional horizontal / landscape setup. The stitching was done close to the edge, to maximise the page area and make it easier to turn the pages (this article explains the various techniques very well).  

Also, when used for something like a guest book or photo album, a stab-stitch binding is very attractive and, so long as the covers are hinged and will fold back, the fact that the book will not open flat and may have to be held open for writing or viewing, is not generally a big problem. Spacers can be added between the pages and creases can be made to enable the pages to fold easily. For someone who dislikes this style of binding, there are plenty of other attractive bindings, which will allow the book to lie flat on the table or lap.

However, Esther Smith had found an old book that was a bit different to the Oriental-style bindings. The stitching was not made over the top and bottom corners of the book. It was also stitched in such a way that the thread was quite slack and would allow the pages to be manipulated so that the book would open flat.

She found that this type of binding was used for a famous Art and Design magazine, from Holland, called "Wendingen" (Pub. 1918-1932), as well as the book she had found (in a second-hand bookshop). She gives instructions to make a simple, soft-cover version of this binding, in a similar style to the book she bought; there is an illustration of a version that is similar to the Wendingen binding.

I looked online and found some photos of copies of Wendingen, so I could have a look at the binding and try to understand it. I wanted to try a version of my own, stitching single sheets into hard covers, in such a way that the album would open flat.

This is the result:

"Ferns and Butterflies" Album with slack Dutch binding 

You can see that the stitching is quite loose.  

Like the Wendingen Magazine, the binding is made through three pairs of holes, with stitching crossed over the spine.

The back cover - I have left the knot showing, since tucking it into the holes would not be effective anyway - it would only work its way out again, with the movement of the binding.  I'm considering whether to apply a spot of glue to the knot, to prevent it coming undone, then trimming the loose ends closer to the knot. I don't think, however, that the knot looks particularly untidy - it's part of the stitching and a functional part of the binding.  I like it. 

The slack stitching allows the pages to be opened and turned.  The book covers need to be slightly closed each time, in order for this to work... 

... but it does open flat, which is so different to the Oriental style of stab binding.

I'm quite pleased with this book, though the binding style is very unusual.  I think someone may wish to buy it, as it's an attractive and interesting book.  I love the cover paper - I chose the dark green, hand made paper for the edge of the covers, as it contrasted so well with the ferns on the decorative paper and added to the jungly, exotic effect.  I chose a pale grey-pink hemp cord to make the binding - it's strong, but attractive and picks out the pink shades in some of the designs on the patterned paper.

Overall, a successful Experiment, I think! 

An Interesting Experiment - A Travel-themed Journal Sketchbook

I recently  made a set of concertina photo books, with covers of Liberty print lawn bookcloth.  They turned out really lovely.   

 

 

 

While fiddling around with the concertina-folding for the album pages, I thought about the "flutter books" and concertina book structures, created by bookbinders Hedi Kyle and Alissa Golden (both my heros!).  I thought it would be fun to experiment with a book that used the concertina structure as a kind of support, with sets of pages stitched into each valley fold - on both sides of the concertina.

It seemed to suit a tall, thin type of book, also a journal/sketch book; I had some of the lovely Cavallini paper with a collage design of vintage luggage labels... A Travel Themed Journal started to form in my mind.

I cut hard covers of book board and covered them with the Luggage Label paper.

I folded a concertina of stiff cartridge paper, then used the same type of paper and some lined text paper to create folios of pages, mixing the lined and sketch paper, so that each sketch page had a lined page next to it.  Then I stitched each of these sections into a fold of the concertina.

 
 
I fixed the covers at either end of the concertina, with ribbons to tie each side together - this would allow the book to be opened like a traditional notebook - from either side of the concertina - or for the whole thing to open out when both sets of ribbons were untied. 

Inside the "back" part of the accordian, the three centre pairs of sketch pages fold inside, so there is a large page that opens out to almost A4 size (letter size for my US friends!). 

 

The "front" cover opens to show two pairs of ticket pockets, embellished with the same luggage label paper as the covers. 

I used red linen thread for the stitching, to give a cheerful pop of colour.

The concertina structure allows the book to be used in a very flexible way, not just in the usual sequential "turn to the next page" way you would use a traditionally bound notebook. 

 

It's a nice size too - just right to pop into the front pocket of your backpack or in your hand luggage, to take with you on your special holiday.

A successful experiment I think - I may make some more!